Publications
Upcoming | 2026 | 2025 | 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015
Upcoming
Monographs
Stone, Rob. Imagined Life: American Independent Cinema and Transcendentalism. Edinburgh University Press, 2026.
Edited collections
Stone, Rob, Paul Cooke, Stephanie Dennison, and Alex Marlow-Mann, eds. The Routledge Companion to World Cinema. 2nd ed., revised and expanded. Routledge, 2027.
Book chapters
Stone, Rob, Paul Cooke, Stephanie Dennison, and Alex Marlow-Mann. “The Longitude and Latitude of World Cinema: Recalculating…” In The Routledge Companion to World Cinema, edited by Rob Stone, Paul Cooke, Stephanie Dennison, and Alex Marlow-Mann. 2nd ed. Routledge, 2027.
Stone, Rob. “World Cinema in Flux Redux.” In The Routledge Companion to World Cinema, edited by Rob Stone, Paul Cooke, Stephanie Dennison, and Alex Marlow-Mann. 2nd ed. Routledge, 2027.
Journal articles
Navarro-Mateo, Carmen. “‘We’re Not Moving from Anywhere. We Live Here and We’re Staying Here’: Working-Class Spaces of Belonging, Exclusion and Mourning in Shane Meadows’s This Is England (2006).” Atlantis (2027).
Santamaría Ibor, Victoria. “Embodied Spaces: Abjection and the Post-Industrialist City in It Follows.” Atlantis (2027).
2026
Book chapters
Buesa, Andrés. “Beyond Victimhood: Childhood and Vulnerability in Beasts of the Southern Wild.” In Radical Embodiment on Film: Time and the Cinematic Body, edited by Lloyd Bayman and Davide Quinlivan, 63–76. Bloomsbury, 2026.
Freijo, Luis. “Envejecimiento y mundo rural en el cine español contemporáneo: un acercamiento de datos cuantitativo.” In Inteligencia Artificial, criterio y relación: Transformaciones éticas y pedagógicas en los ecosistemas digitales, edited by Miguel Ángel García Madurga and Ana Mancho de la Iglesia. Dykinson, 2025. https://www.dykinson.com/libros/inteligencia-artificial-criterio-y-relacion-transformaciones-eticas-y-pedagogicas-en-los-ecosistemas-digitales-9791370067939/ 
Santamaría Ibor, Victoria. “‘He’s Dying for Followers’: The Abject Workspace and the Commodification of Urban Legends in Deadstream.” In Urban Myths and Cultural Geography of Horror, edited by I. Jurković, M. Lukić, and T. Parezanović, 155–171. University of Wales Press, 2026.
Journal articles
Santamaría Ibor, Victoria. “The Haunting of the Camgirl Platform: Horror, Gender and the Digital Double in Cam.” Feminismo/s 48 (2026): 136–157.
Reviews
Buesa, Andrés. Review of Cinema of/for the Anthropocene: Affect, Ecology, and More-Than-Human Kinship, edited by Katarzyna Paszkiewicz and Ariel Ruthven. Revista de Estudios Norteamericanos 30 (2026): 1–5.
2025
Edited collections
Azcona, María del Mar, Julia Echeverría, and Pablo Gómez-Muñoz, eds. Cosmopolitan Aspirations in Contemporary Cinema. Routledge, 2025.
Shaw, Deborah, and Rob Stone, eds. Sex Education: School’s Out for Netflix. Bloomsbury, 2025.
Book chapters
Azcona, María del Mar, and Celestino Deleyto. “The Good, the Bad and the Real: The Many Faces of the Cosmopolitan.” In Cosmopolitan Aspirations in Contemporary Cinema, edited by María del Mar Azcona, Julia Echeverría, and Pablo Gómez-Muñoz, 1–17. Routledge, 2025.
Gómez-Muñoz, Pablo. “Fast-Forward to the Future: Socioeconomic Change and Spatial Reconfigurations in Years and Years (Russell T. Davies, 2019).” In Inhabiting Ustopia: Science Fiction in Film, Performative Arts, and Digital Media, edited by Aparajita Nanda and Lucia-Mihaela Grosu-Rădulescu, 99–113. Springer, 2025.
Regueira Martín, Andrea. “Crafting New Roads to and Spaces for Womanhood in Leticia Dolera’s Requisitos para Ser una Persona Normal (2015) and Vida Perfecta (2019–2021).” In Authoring Female Identities in Spanish and Latin American Art and Media, edited by N. Albaladejo Garcia and F. Noble, 307–334. Palgrave, 2025.
Regueira Martín, Andrea. “Maturity through Cosmopolitan Attempts in Party Girl (1995) and God’s Own Country (2017).” In Cosmopolitan Aspirations in Contemporary Cinema, edited by María del Mar Azcona, Julia Echeverría, and Pablo Gómez-Muñoz, 21–39. Routledge, 2025.
Regueira Martín, Andrea. “Vulnerable Sanctuaries: The Precarity of Safe Spaces in Sex Education.” In Sex Education: School’s Out for Netflix, edited by Deborah Shaw and Rob Stone, 47–63. Bloomsbury, 2025.
Shaw, Deborah, and Rob Stone. “Introduction: Utopian Tropes and Troubled Teens.” In Sex Education: School’s Out for Netflix, edited by Deborah Shaw and Rob Stone, 1–14. Bloomsbury, 2025.
Shaw, Deborah, Rob Stone, and James Walters. “Genre and Gender: Sex Education in Theory and Practice.” In Sex Education: School’s Out for Netflix, edited by Deborah Shaw and Rob Stone, 15–30. Bloomsbury, 2025.
Stone, Rob. “Complex Female Characters: The Makings of Maeve.” In Sex Education: School’s Out for Netflix, edited by Deborah Shaw and Rob Stone, 151–167. Bloomsbury, 2025.
Journal articles
Deleyto, Celestino. “Transnational Marseille: Film Space and Layers of History in Transit.” Transnational Screens 16, no. 3 (2025): 207–225. https://doi.org/10.1080/25785273.2025.2550101
Deleyto, Celestino, and David Roche. “The Hippie, the Cowboy, and the City: Aesthetic and Political Layers in Tarantino’s Once Upon a Time… in Hollywood.” Journal of Film and Video 77, no. 1 (2025): 47–60. https://doi.org/10.5406/19346018.77.1.05
Gómez-Muñoz, Pablo. “The Messiah of Youth: Ageism, Power, and Space in Dune: Part One (2021) and Dune: Part Two (2024).” Ekphrasis: Images, Cinema, Theory, Media 34, no. 2 (2025): 99–115. https://www.ekphrasisjournal.ro/docs/R1/34e8.pdf
Pujol, Cristina, and Jordi Sánchez-Navarro. “From ESCAC to Netflix: Interrogating the New Spaces of Film Development in Catalonia: The Case of El Páramo (2022).” Catalan Journal of Communication and Cultural Studies 17, no. 1 (2025): 25–42. https://doi.org/10.1386/cjcs_00117_1
Regueira Martín, Andrea. “From On-Air Rebelliousness to the Cult of Positivity: Mediated Identities and Technological Change in Pump Up the Volume (1990) and Eighth Grade (2018).” Revista Alicantina de Estudios Ingleses 42 (2025): 7–24. https://doi.org/10.14198/raei.23530
Reviews
Velilla Gonzalvo, Elena. Review of Here, directed by Robert Zemeckis. Journal of Artistic Creation and Literary Research 13, no. 1 (2025): 149–152.
2024
Book chapters
Gómez-Muñoz, Pablo. “Humans Hunting Humans: Allegories of Cultural and Economic Divides across National Boundaries.” In Culture Wars and Horror Movies: Social Fears and Ideology in Contemporary Cinema, edited by N. Gregorio Fernandez and C. Mendez Garcia, 191–208. Palgrave Macmillan, 2024.
Martín, Mónica. “The Unspoken Gender of Apocalypse: Patriarchal Realism and Ecofeminist Hope in Twenty-First-Century Post-Apocalyptic Cinema.” In Post-Apocalyptic Cultures, edited by J. Urabayen and J. L. Casero, 253–269. Palgrave Macmillan, 2024.
Regueira Martín, Andrea. “A Road of One’s Own: The Rejection of Standard Adulthood in US Emerging Adult Films.” In Adulthood in Britain and the United States from 1350 to Generation Z, edited by L. Tisdall and M. Cannon, 239–257. University of London Press, 2024.
Santamaría Ibor, Victoria. “‘Tell Everyone’: Abjection and Social Justice in Candyman.” In Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema, edited by N. Gregorio-Fernández and C. M. Méndez-García, 87–104. Palgrave Macmillan, 2024.
Journal articles
Azcona, María del Mar, and Celestino Deleyto. “Brief Encounter: Matt Damon in Marseille.” Transnational Screens 15, no. 3 (2024): 253–270. https://doi.org/10.1080/25785273.2023.2260240
Stone, Rob. “The Hunt for The Wild Bunch: Simultaneous Multiplicity and Alternative Genealogies in World Cinema.” Bulletin of Spanish Visual Studies 8, no. 1 (2024): 149–159.
2023
Edited collections
Sala, Ángel, and Jordi Sánchez Navarro, eds. Ciudad pánico: Morfologías urbanas del horror. Hermenaute, 2023.
Monographs
Azcona, María del Mar, and Celestino Deleyto. Before Sunrise: Young Love on the Move. Routledge, 2023.
Echeverría, Julia. Epidemic Cinema: The Rise of a Genre. Routledge, 2023.
Gómez-Muñoz, Pablo. Science Fiction Cinema in the Twenty-First Century: Transnational Futures, Cosmopolitan Concerns. Routledge, 2023.
Martín, Mónica. The Rebirth of Utopia in 21st-Century Cinema: Cosmopolitan Hopes in the Films of Globalisation. Peter Lang, 2023.
Book chapters
Buesa, Andrés. “Vulnerable Children: Collective Resistance in Songs My Brothers Taught Me (2015).” In Embodied Vulnerabilities in Literature and Film, edited by M. Fernandez Santiago and C. M. Gamez-Fernandez, 63–77. Routledge, 2023.
Deleyto, Celestino. “Stories So Far: Romantic Comedy and/as Space in Before Midnight.” In ReFocus: The Films of Richard Linklater, edited by Kim Wilkins and Timotheus Vermeulen, 136–153. Edinburgh University Press, 2023.
Deleyto, Celestino. “Women on the Border: A Cosmopolitan Approach to the Representation of Contemporary Femininity in It’s a Free World…” In From the Margins to the Mainstream: Women in Film and Television, edited by M. Kac-Vergne and J. Assouly, 147–173. Bloomsbury, 2023.
López-Fuentes, Ana Virginia. “Borders and Cosmopolitanism in the Global City: London River.” In Global London on Screen: Cosmopolitans, Visitors and Migratory Visions of a Superdiverse City, edited by Keith B. Wagner and Roland-François Lack. Manchester University Press, 2023.
Martín, Mónica. “Utopia as a Cosmopolitan Method in Alfonso Cuarón’s Children of Men.” In Global London on Screen: Visitors, Cosmopolitans and Migratory Cinematic Visions of a Superdiverse City, edited by K. B. Wagner and R. F. Lack, 228–243. Manchester University Press, 2023.
Sánchez-Navarro, Jordi. “Ciencia ficción con voz femenina en el fin de siglo: la experiencia de frontera de las directoras del género en los años ochenta y noventa.” In Mistress of Fan: Monstruos, criaturas y pesadillas engendradas por ellas, edited by Mónica García Massagué et al., 99–136. Hermenaute, 2023.
Sánchez-Navarro, Jordi. “La ciudad terrible: Laberintos urbanos italianos y lo sublime terrorífico.” In Ciudad pánico: Morfologías urbanas del horror, edited by Ángel Sala and Jordi Sánchez Navarro, 13–40. Hermenaute, 2023.
Santamaría Ibor, Victoria. “Del barrio residencial al gueto: El cine de terror y la abyección urbana.” In Ciudad pánico: Morfologías urbanas del horror. Hermenaute, 2023.
Journal articles
Azcona, María del Mar. “The Trickster and the Fool: Matt Damon and Comedy.” Quarterly Review of Film and Video 40, no. 3 (2023): 299–318. https://doi.org/10.1080/10509208.2021.2010490
Bartolomé Leal, Andrés. “The Sense of an Ending: Culture, Capital, and the Fate of (Late) Modern Europe in Roman Polanski’s The Ninth Gate (1999).” Studies in Eastern European Cinema (2023). https://doi.org/10.1080/2040350X.2023.2194048
Buesa, Andrés. “Don’t Step Across This Line: Crossing Borders in Little Men.” Alicante Journal of English Studies 39, no. 1 (2023): 145–162. https://doi.org/10.14198/raei.2023.39.07
Buesa, Andrés. “Facing Apocalypse: Climate Mobilities and the Cinematic Child.” Sociology Lens 37, no. 1 (2023): 105–115. https://doi.org/10.1111/johs.12438
Buesa, Andrés. “Haunting Photographs and Temporal Landscapes: Remembering through Traces in La idea de un lago / The Idea of a Lake (2016).” Studies in Spanish and Latin American Cinemas 20, no. 1 (2023): 23–39. https://doi.org/10.1386/slac_00101_1
Pujol Ozonas, Cristina, and Jordi Sánchez-Navarro. “El papel de las redes sociales en la configuración de los guionistas como profesionales creativos en España: el caso de Bloguionistas.” Journal of Spanish Cultural Studies 24, no. 3 (2023): 395–412. https://doi.org/10.1080/14636204.2023.2242072
Regueira Martín, Andrea S. “How to Be a Real Girl: Authenticity and Mediated Girlhood in ‘Rachel, Jack and Ashley Too’.” Femspec 23, no. 1 (2023): 106–148.
2022
Book chapters
Deleyto, Celestino. “The Multiple Trajectories of Transnational Hollywood Stars: Marion Cotillard, Kristen Stewart, Diane Kruger.” In Stellar Transformations: Movie Stars of the 2010s, edited by Steven Rybin, 88–107. Rutgers University Press, 2022.
Deleyto, Celestino. “Transnational Stars and the Idea of Europe: Marion Cotillard, Diane Kruger.” In Moving beyond the Pandemic: English and American Studies in Spain, edited by F. Gallardo-del-Puerto, M. del C. Camus-Camus, and J. A. González-López, 20–29. Ediciones Universidad Cantabria, 2022.
Salvi, Costanza. “John Ford’s Cavalry Trilogy (1948–1950): Caught between US-American Imperialism and Irish Republicanism.” In Transnationalism and Imperialism: Endurance of the Global Western Film, edited by David Roche and Hervé Mayer, 51–67. Indiana University Press, 2022.
Journal articles
Buesa, Andrés. “Reshaping New York City: The Child’s Gaze in Todd Haynes’ Wonderstruck (2017).” Atlantis: Journal of the Spanish Association for Anglo-American Studies 44, no. 1 (2022): 130–144. https://doi.org/10.28914/Atlantis-2022-44.1.08
Buesa, Andrés. “Where Is Here? Place and Rurality through the Cinematic Child.” New Cinemas: Journal of Contemporary Film 20, no. 1 (2022): 21–33.
Martín, Mónica. “Awakening from Neoliberal Rationalities: The Ecological Conversion of Brit Marling’s Protagonist in The East.” Journal of Film and Video 74, no. 1 (2022): 19–27.
Regueira Martín, Andrea Sofía. “From the Teen Film to the Emerging Adult Film: The Road to Adulthood in Say Anything (1989) and High Fidelity (2000).” Anglica 31, no. 1 (2022): 125–140. https://doi.org/10.7311/0860-5734.31.1.07
Regueira Martín, Andrea. “Good Morning, Winner: Subverting Girl Nerd Stereotypes in Booksmart (2019).” REDEN: Revista Española de Estudios Norteamericanos 4, no. 1 (2022): 3–18. https://doi.org/10.37536/reden.2022.4.1838
Santamaría Ibor, Victoria. “‘I Eat Boys’: Monstrous Femininity in Jennifer’s Body.” Babel–AFIAL: Aspectos de Filoloxía Inglesa e Alemá 31 (2022): 145–166. https://doi.org/10.35869/afial.v0i31.4301
2021
Edited collections
Shaw, Deborah, and Rob Stone, eds. Sense8: Transcending Television. Bloomsbury, 2021.
Book chapters
Deleyto, Celestino. “Romantic, Transnational and Messy: Intimate Spaces/Cosmopolitan Spaces in Already Tomorrow in Hong Kong.” In Imagining “We” in the Age of “I”: Romance and Social Bonding in Contemporary Culture, edited by Mary Harrod, Suzanne Leonard, and Diane Negra, 127–141. Routledge, 2021.
Ruiz, Manuela. “Connecting with Strangers: Cosmopolitanism, Romance and Hospitality in Transnational Romantic Comedy.” In After “Happily Ever After”: Romantic Comedy in the Post-Romantic Age, edited by María San Filippo, 179–196. Wayne State University Press, 2021.
Salvi, Costanza. “Crooners and Cowboys: How 1930s American Sensibility Was Shaped by Vocal Tracks.” In That’s Entertainment: Spectacle, Amusement, and Leisure Culture, edited by Michela Fadda and Sara Pesce. Mimesis, 2021.
Shaw, Deborah, and Rob Stone. “Sense8 and Sensibility, or How It Became Necessary to Queer the World in Order to Save It.” Jump Cut: A Review of Contemporary Media (2021). [Verify: journal article or book chapter?]
Stone, Rob. “The Bourne Multiplicity: Quantum Europeanness in the Bourne Films (2002–2016).” In The Routledge Companion to European Cinema, 143–152. Routledge, 2021.
Journal articles
Deleyto, Celestino. “Transnational Shakespeare, Feminist Shakespeare: The King.” Transnational Screens 12, no. 1 (2021): 62–78. https://doi.org/10.1080/25785273.2021.1909294
Deleyto, Celestino, and María del Mar Azcona. “The Texture of the Age: Digital Construction of Unbounded Space in Birdman (Iñárritu, 2014).” Studies in Spanish & Latin American Cinemas 18, no. 1 (2021): 73–88. https://doi.org/10.1386/slac_00037_1
Martín, Mónica. “Time’s Up for a Change of Political Focus: Katniss Everdeen’s Eco-Feminist Leadership in The Hunger Games Film Series.” Atlantis 43, no. 1 (2021): 89–109. https://doi.org/10.28914/Atlantis-2021-43.1.06
Martín, Mónica. “Utopia as a Cosmopolitan Method in Alfonso Cuarón’s Children of Men.” Utopian Studies 32, no. 1 (2021): 56–72.
Schmitt-Pitiot, Isabelle, and Julia Echeverría. “Introduction.” Film Journal 7 (2021). https://doi.org/10.4000/filmj.285
Stone, Rob, and Luis Freijo. “World Cinema between the Rock of the Unknowable and the Hard Place of the As Yet Unknown.” Transnational Screens 12, no. 1 (2021): 1–22. https://doi.org/10.1080/25785273.2021.1909294
2020
Book chapters
Deleyto, Celestino. “Traffic in the Border City: Los Angeles in Crossing Over.” In Contigo aprendí: Estudios en homenaje al profesor José Luis Caramés Lage, edited by Carmen Escobedo, Jorge Luis Bueno, and Carolina Taboada, 69–84. Universidad de Oviedo, 2020.
Echeverría, Julia. “Is Yellow the New Orange? The Transnational Phenomenon of Female Prison Dramas.” In The Palgrave Handbook of Incarceration in Popular Culture, edited by Marcus Harmes, Meredith Harmes, and Barbara Harmes, 641–653. Palgrave Macmillan, 2020.
Echeverría, Julia. “The Women Who Killed Too Many: Contagion (Steven Soderbergh, 2011) and Female Virality.” In Women Who Kill: Gender and Sexuality in Film and Series of the Post-Feminist Era, edited by David Roche and Cécile Maury, 209–225. Bloomsbury, 2020.
Martín, Mónica. “Ecocritical Archaeologies of Global Ecocide in 21st-Century Post-Apocalyptic Films.” In Avenging Nature: The Role of Nature in Modern and Contemporary Art and Literature, edited by E. Valls Oyarzun et al., 179–193. Lexington Books, 2020.
Ruiz, Manuela. “On the Fragility of Love across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus’s Like Crazy (2011).” In Love across the Atlantic: US-UK Romance in Popular Culture, edited by Barbara J. Brickman, Deborah Jermyn, and Theodore L. Trost, 121–137. Edinburgh University Press, 2020.
Journal articles
Bartolomé Leal, Andrés. “Screening the Cosmopolis: Paris through Frantic.” Gramma: Journal of Theory and Criticism 27, no. 1 (2020): 81–108. https://doi.org/10.26262/gramma.v27i0.8982
Deleyto, Celestino. “The Way of the Dog: Truman through the Cosmopolitan Lens.” Studies in Spanish & Latin American Cinemas 17, no. 1 (2020): 51–72. https://doi.org/10.1386/slac_00011_1
Deleyto, Celestino. “Wonderland: The Digital and the Cosmopolitan at the Borderlands in Monsters.” New Review of Film and Television Studies 18, no. 3 (2020): 325–344. https://doi.org/10.1080/17400309.2020.1786341
2019
Monographs
Deleyto, Celestino. The Secret Life of Romantic Comedy. Manchester University Press, 2019.
Book chapters
Deleyto, Celestino. “A View from the Bridge: Grease’s Los Angeles.” In Grease is the Word: Exploring a Cultural Phenomenon, edited by Oliver Gruner and Peter Krämer, 199–211. Anthem Press, 2019.
Deleyto, Celestino. “V.O.S. (Cesc Gay, 2009): From Shakespearean Comedy to National Identity.” In Spanish Cinema 1973–2010: Auteurism, Politics, Landscape and Memory, edited by María M. Delgado and Rob Fiddian, 226–238. Routledge, 2019.
Gómez-Muñoz, Pablo. “Kneading the Borderlands, Kneading the Law: Alienation Effects in The Three Burials of Melquiades Estrada.” In Frontière(s) au cinéma / Borders in Film, edited by E. Épinoux, V. Lefebve, and M. Flores-Lonjou. Mare & Martin, 2019.
Journal articles
Azcona-Montoliu, María del Mar. “Matt Damon: A Cosmopolitan Hero for the Mainstream.” Celebrity Studies 10, no. 2 (2019): 174–190. https://doi.org/10.1080/19392397.2018.1445536
Deleyto, Celestino. “Performing Cosmopolitanism: Julie Delpy and Ethan Hawke in Richard Linklater’s ‘Before’ Trilogy.” Transnational Screens 10, no. 1 (2019): 23–33. https://doi.org/10.1080/25785273.2019.1578530
Deleyto, Celestino. Review of Todos lo saben / Everybody Knows, directed by Asghar Farhadi. Transnational Screens 10, no. 1 (2019): 73–74. https://doi.org/10.1080/20403526.2018.1544422
Moya, Ana, and Gemma López. “Airport Terminals and Desert Planes: Re-Visiting the Border in The Terminal and No Country for Old Men.” Babel-AFIAL: Aspectos de Filoloxía Inglesa e Alemá 28, no. 1 (2019): 99–119.
Treviño, Isabel. “Flying Solo: Mobility in Up in the Air.” Atlantis: Journal of the Spanish Association for Anglo-American Studies 41, no. 2 (2019): 197–211. https://doi.org/10.28914/Atlantis-2019-41.2.10
2018
Journal articles
Deleyto, Celestino. “Gestures of Love: Romancing Performance in Classical Hollywood Cinema.” New Review of Film and Television Studies 16, no. 2 (2018): 207–210. https://doi.org/10.1080/17400309.2018.1446732
Echeverría, Julia. “Pathogens, Vermin and Strigoi: Contagion Science and Vampire Myth in Guillermo del Toro’s The Strain.” Journal of Science & Popular Culture 1, no. 1 (2018): 43–57. https://doi.org/10.1386/jspc.1.1.43_1
Echeverría, Julia. “The Rise of the Outbreak Genre: 28 Days Later and the Digital Epidemic.” ESC: English Studies in Canada 44, no. 3 (2018): 49–66. https://doi.org/10.1353/esc.2018.0008
Gómez-Muñoz, Pablo. “The Alien as a Vehicle for Cosmopolitan Discourses: The Case of The Day the Earth Stood Still (2008).” Atlantis: Journal of the Spanish Association for Anglo-American Studies 40, no. 2 (2018): 123–144. https://doi.org/10.28914/Atlantis-2018-40.2.07
Gómez-Muñoz, Pablo. “Dystopias Go Global: The Transnational Reorganization of Territories and Societies in Elysium.” ELOPE: English Language Overseas Perspectives and Enquiries 15, no. 1 (2018): 111–125. https://doi.org/10.4312/elope.15.1.111-125
Gómez-Muñoz, Pablo. “Lo alienígena como vehículo de discursos cosmopolitas: El caso de Ultímátum a la Tierra.” Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos (2018).
Reviews
Echeverría, Julia. Review of Steven Spielberg: Hollywood Wunderkind & Humanist, edited by David Roche. Miranda 17 (2018). https://doi.org/10.4000/miranda.14731
2017
Monographs
Deleyto, Celestino. From Tinseltown to Bordertown: Los Angeles on Film. Wayne State University Press, 2017.
Book chapters
Deleyto, Celestino. “Looking from the Border: A Cosmopolitan Approach to Contemporary Cinema.” In Transnational Cinema at the Borders, 107–124. Routledge, 2017.
Journal articles
Deleyto, Celestino. “Looking from the Border: A Cosmopolitan Approach to Contemporary Cinema.” Transnational Cinemas 8, no. 2 (2017): 95–112. https://doi.org/10.1080/20403526.2016.1168117
Deleyto, Celestino, and R. Longo. “Imagining Hollywood from the Outside In: A Conversation with Celestino Deleyto on From Tinseltown to Bordertown: Los Angeles on Film.” Film Quarterly 70, no. 4 (2017): 118–123.
Echeverría, Julia. “Moving beyond Latin America: Fernando Meirelles’s Blindness and the Epidemic of Transnational Co-Productions.” Transnational Cinemas 8, no. 2 (2017): 113–127. https://doi.org/10.1080/20403526.2017.1249072
Fadda, Michela, and Costanza Salvi. “I Contain Multitudes: Berkeley, Vidor e il cinema della Grande Depressione.” Fata Morgana 32 (2017): 95–109.
2016
Edited collections
Evans, Peter William, and Celestino Deleyto, eds. Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s. Edinburgh University Press, 2016.
Journal articles
Azcona, María del Mar. “‘Don’t Stop Me Now’: Mobility and Cosmopolitanism in the Bourne Saga.” Mobilities 11, no. 2 (2016): 207–222. https://doi.org/10.1080/17450101.2014.957014
Deleyto, Celestino. “The Europeanness of European Cinema: Identity, Meaning, Globalization.” Studies in European Cinema 13, no. 2 (2016): 177–179. https://doi.org/10.1080/17411548.2016.1213084
Gómez-Muñoz, Pablo. “Interplanetary Border Imaginaries in Upside Down: Divisions and Connections in the American Continent.” Journal of Transnational American Studies 7, no. 1 (2016): 1–20.
Gómez-Muñoz, Pablo. “Keeping Workers at a Distance: The Connection between Borders and Finance in Andrew Niccol’s In Time.” Geopolitics 21, no. 1 (2016): 195–214.
2015
Book chapters
Azcona, María del Mar. “The End of the Hollywood Hero: Dr T & the Women and Altman’s Multi-Protagonist Narratives.” In A Companion to Robert Altman, edited by Adrian Danks, 448–464. Wiley, 2015.
Journal articles
Deleyto, Celestino. “The Three Amigos: The Transnational Film-Making of Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón.” Studies in Spanish & Latin American Cinemas 12, no. 2 (2015): 211–214.
Echeverría, Julia. “Liquid Cinematography and the Representation of Viral Threats in Alfonso Cuarón’s Children of Men.” Atlantis: Journal of the Spanish Association for Anglo-American Studies 37, no. 2 (2015): 137–153. https://doi.org/10.28914/Atlantis-2015-37.2.08
2014
Journal articles
Deleyto, Celestino. “Focalisation in Film Narrative.” Atlantis 13, no. 1–2 (2014): 159–177.